Vol. 13 No. 1 (2009): Music and the Performance of Identity

Published: 2021-07-02

Full Issue

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Articoli

• The Power to Transgress Music across Borders - Introduction

  Serena Guarracino

  1-6

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• Mediterranean Trade Routes and Frescobaldi’s Magdalene / La Maddalena di Frescobaldi e le rotte del Mediterraneo

  Susan McClary

  7-20

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• Tales of Plagiarism and Pastiche The Music of The Godfather, Il gattopardo and The Glass Mountain

  Richard Dyer

  35-49

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• “On the Street Where you Live” Italian American Doo-Wop in Postwar New York

  Alessandro Buffa

  51-59

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• Hail to the Thief Strategies of Resistance in Radiohead’s Musical Discourse

  Pierpaolo Martino

  61-72

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• On Indigenous Post-nostalgia Transmedia Storytelling in the Work of Romaine Moreton

  Katherine E. Russo

  73-87

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• The Soundscapist

  Danilo Capasso

  89-99

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• Migrating Keys A Conversation with Wayne Koestenbaum

  Fiorenzo Iuliano

  101-107

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• Bodies, Voices, Gendered Identities and Postcolonial Subversions of Maps

  Marta Cariello

  109-116

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Reviews

• Neelam Srivastava, Secularism in the Postcolonial Indian Novel. National and Cosmopolitan Narratives in English (Abingdon and New York: Routledge, 2008), x + 210 pp.

  Fiorenzo Iuliano

  117-120

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• Paola Bono, Il Bardo in musical (Roma: Editoria & Spettacolo, 2009), 223 pp.

  Alessandra Marino

  121-123

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• Paola Splendore, ed. and trans., Passaggi a ovest: Poesia femminile anglofona della migrazione (Bari: Palomar, 2008), 170 pp.

  Katherine E. Russo

  125-128

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